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Paulus Moreelse
Lady and Cavalier
ca. 1680(1680)
Oil on panel
22 cm (8.66 in). Height: 29 cm (11.42 in).
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Paulus Moreelse
Girl with a Mirror, an Allegory of Profane Love
1627
105.5 x 83 cm
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Paulus Moreelse
Lady and Cavalier
Date ca. 1680(1680)
Medium Oil on panel
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Paulus Moreelse
Girl with a Mirror
Date 1627
Dimensions 105.5 x 83 cm
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Paulus Moreelse
Herzog Christian von Braunschweig
1619(1619)
Medium Oil
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Paulus Moreelse
Sophia Hedwig, Countess of Nassau Dietz, with her Three Sons.
Date 1621(1621)
Medium Oil on canvas
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Paulus Moreelse
Paulus Moreelse
Date 1625
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Paulus Moreelse
Vertumnus and Pomona
Date ca. 1630 (1586 - 1638)
Medium Oil on canvas
Dimensions 130 x 114 cm (51.2 x 44.9 in)
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Paulus Moreelse
Vertumnus and Pomona
1630 (1586-1638)
Medium Oil on canvas
Dimensions 130 x 114 cm (51.2 x 44.9 in)
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Paulus Moreelse
Democrite
1630(1630)
Medium Oil on canvas
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Paulus Moreelse
Portrait of a Young Woman
first half of 17th century
Medium oil on wood
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Paulus Moreelse
Mythological Portrait
Date 1633
Medium oil on canvas
Dimensions 74.3 x 59.4 cm
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Paulus Moreelse
Christian the Younger of Brunswick
Portrait of Christian the Younger of Brunswick (1599-1626)
Date 1619(1619)
Medium oil
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| Paulus Moreelse
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(1571, Utrecht - 6 March 1638, Utrecht) was a Dutch painter, mainly of portraits.
Moreelse was a pupil of the Delft portrait painter Michiel Jansz. van Mierevelt, who had himself been a pupil of Anthonie van Blocklandt. He took a study-trip to Italy, where he received many portrait commissions. Back in Utrecht, in 1596 he became a member of the zadelaarsgilde, which was the traditional name in Utrecht for the Guild of Saint Luke. In 1611, along with Abraham Bloemaert, he was one of the founders of a new painters' guild, called "St. Lucas-gilde", and became its first deken.
Moreelse was a well known portrait painter who received commissions from right across the Dutch Republic. His earliest work dates to 1606. Other than portraits, he also painted a few history paintings in the Mannerist style and in the 1620s produced pastoral scenes of herders and shepherds. He belonged to the same generation as Abraham Bloemaert and Joachim Wtewael, and like Wtewael he played an important role in the public life of their city. His version of Diana and Callisto was engraved by Jan Saenredam. In 1618, when the anti-remonstrants came to power in Utrecht, he was raadslid.
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